How Books Are Made, Part II

 

In my previous post, I talked about the creativity that goes into the making of a book. But I didn’t talk about the practical side of bringing that creative spark into fruition (if you’ll allow the mixed metaphor there).

It’s one thing to have an idea for a book. It’s an entirely different matter to spend hours at a keyboard (or with pen or pencil and paper), day after day, week after week, month after month until that original idea has been fleshed out into a story with a beginning, a middle, and an end, hopefully containing some tension and conflict throughout, and a resolution that satisfies the reader—plus maybe, just maybe, giving readers something to “take away,” a lesson to ruminate upon or a miniscule bit of wisdom that might, in the tiniest way, influence their choices for the better. One hopes.

When I began the Dragon Singer Series, I was still teaching, so my writing time—after being away from home all day, then returning to walk an anxious, troubled dog, and feed the cats, and eat dinner, and watch the news, and maybe toss in a load of laundry—was limited. In addition to that, I began Fey Girl, the first book, in pencil, writing in a composition book that my granddaughter, Ellie, had given me. I wanted to channel my inner ten-year-old, and I remembered writing some stories in a composition book when I was that age—some of my first! And so I began.

The process was interrupted often. Given my schedule (rising at 4:00a.m. to get to the gym before work or to ride my bike to work and arrive at 6:45), I was tired by early evening. Things happened. I had house guests. I came down with pneumonia a few times. I struggled through winter depression.

Finally, in June of 2016, I retired from teaching. In that summer, I sold a house, bought a house, moved 40 miles east—and slept as often as I felt like it. Then, at long last, I joyfully returned to my writing life in earnest.

As soon as Fey Girl was finished, I began writing the second book, making steady progress and finishing it within a year. The third book took less than a year. The fourth, even less than that. While I was working on Book Two, my dear friends John and Lisa Durham introduced me to John’s niece, Annie Katz, a writer and novelist and earth mother who became my best and truest critique partner. We began exchanging projects, giving each other feedback, and engaging in long phone conversations about the best way to publish. She is all about independent publishing. Another friend believes one is not a “professional” writer until one has been published by a traditional publisher. (Well, I’ve done that, so….)

In a nutshell, here’s the difference:

A traditional publisher takes the author’s manuscript and has a team of printing experts design an interior (choosing the type of font, the type of paper—weight and color, the margin size, the spacing between lines, as so forth). Another team of experts designs the cover. (Will the title be larger than the author’s name? Yes, if it’s a first-time author, no, if the author is Stephen King. What will the balance of text-to-graphics be? What colors will work best?) While this process is happening, the publisher may decide—based on “marketability”—to change the book’s title. Or add a subtitle. Or edit—or delete—some of the content. But hey, when the book is finally ready (one to two years after acceptance), it will be released across the country simultaneously, available online but also on bookstore shelves, all at once, all on the same day.

An indie author can’t do this, since the big bookstore chains (well, I guess there’s only one left, isn’t there?) will not carry (unless asked by customers) independent authors on their shelves. Nor do indie authors have the opportunity to list their books in the lovely, slick catalogs that publishers send out to bookstores.

However—independent authors have full control over every aspect of how their books are published, from interior design to cover design, and we even determine the list price.

This is why I made the choice to publish the Dragon Singer Series independently. The more I spoke to Annie Katz and others (including my buddy, writer/actor/director/funny guy Tim Chizmar), the more reluctant I became to give up creative control. I had a vision for these books, and I couldn’t bear the thought of being told, “We’ve decided to add/subtract/edit…” or whatever a marketing department might choose for MY books. (For the purpose of brevity, I will not include all the struggles I had to this end with the publishers of my first and second books. If you’re curious, just ask in the comments below. But… boy howdy….)

Of course, in making that crucial decision to self-publish, this also means that the entire process rests in the hands of the writer (unless one chooses to outsource the work, which is possible, but also expensive).

The only thing I didn’t do was create the illustration and design for the covers. (Thank you, artist-designer Allie Myers!) Everything else—fonts, font size, paper, margins, interior design—that’s all me. And believe me, it’s not a matter of “select all” on MSWord and typing in a few choices. There is a lot to very carefully complete. Plus don’t even get me started on how the format of an “ebook” differs from the format of a paperback. Good grief!

So, yeah, even though the fourth and final book in the Dragon Singer Series was completed months ago, it has taken me quite a number of weeks to find an illustrator and work on the interior design.

Finally, though, the first book is finished, and I am so, so proud of it! Allie’s cover is beautiful, and I am satisfied that my young (and older) readers will feel comfortable with my choices for the interior design—if they’re even paying attention. Maybe they’ll just immerse themselves in the story and keep turning those pretty white pages….

Fey Girl, Book One in the Dragon Singer Series, is set to be released at 12:01a.m. on Tuesday, October 17. Please celebrate with me on that day! If you get crazy (or extraordinarily kind) and decide to read the first book, just know that Allie and I are already working hard to get the second book ready for publication. This one should be easier than the first; I kinda know what I’m doing now. Kinda….

Back cover of Fey Girl