How Books Are Made, Part II

 

In my previous post, I talked about the creativity that goes into the making of a book. But I didn’t talk about the practical side of bringing that creative spark into fruition (if you’ll allow the mixed metaphor there).

It’s one thing to have an idea for a book. It’s an entirely different matter to spend hours at a keyboard (or with pen or pencil and paper), day after day, week after week, month after month until that original idea has been fleshed out into a story with a beginning, a middle, and an end, hopefully containing some tension and conflict throughout, and a resolution that satisfies the reader—plus maybe, just maybe, giving readers something to “take away,” a lesson to ruminate upon or a miniscule bit of wisdom that might, in the tiniest way, influence their choices for the better. One hopes.

When I began the Dragon Singer Series, I was still teaching, so my writing time—after being away from home all day, then returning to walk an anxious, troubled dog, and feed the cats, and eat dinner, and watch the news, and maybe toss in a load of laundry—was limited. In addition to that, I began Fey Girl, the first book, in pencil, writing in a composition book that my granddaughter, Ellie, had given me. I wanted to channel my inner ten-year-old, and I remembered writing some stories in a composition book when I was that age—some of my first! And so I began.

The process was interrupted often. Given my schedule (rising at 4:00a.m. to get to the gym before work or to ride my bike to work and arrive at 6:45), I was tired by early evening. Things happened. I had house guests. I came down with pneumonia a few times. I struggled through winter depression.

Finally, in June of 2016, I retired from teaching. In that summer, I sold a house, bought a house, moved 40 miles east—and slept as often as I felt like it. Then, at long last, I joyfully returned to my writing life in earnest.

As soon as Fey Girl was finished, I began writing the second book, making steady progress and finishing it within a year. The third book took less than a year. The fourth, even less than that. While I was working on Book Two, my dear friends John and Lisa Durham introduced me to John’s niece, Annie Katz, a writer and novelist and earth mother who became my best and truest critique partner. We began exchanging projects, giving each other feedback, and engaging in long phone conversations about the best way to publish. She is all about independent publishing. Another friend believes one is not a “professional” writer until one has been published by a traditional publisher. (Well, I’ve done that, so….)

In a nutshell, here’s the difference:

A traditional publisher takes the author’s manuscript and has a team of printing experts design an interior (choosing the type of font, the type of paper—weight and color, the margin size, the spacing between lines, as so forth). Another team of experts designs the cover. (Will the title be larger than the author’s name? Yes, if it’s a first-time author, no, if the author is Stephen King. What will the balance of text-to-graphics be? What colors will work best?) While this process is happening, the publisher may decide—based on “marketability”—to change the book’s title. Or add a subtitle. Or edit—or delete—some of the content. But hey, when the book is finally ready (one to two years after acceptance), it will be released across the country simultaneously, available online but also on bookstore shelves, all at once, all on the same day.

An indie author can’t do this, since the big bookstore chains (well, I guess there’s only one left, isn’t there?) will not carry (unless asked by customers) independent authors on their shelves. Nor do indie authors have the opportunity to list their books in the lovely, slick catalogs that publishers send out to bookstores.

However—independent authors have full control over every aspect of how their books are published, from interior design to cover design, and we even determine the list price.

This is why I made the choice to publish the Dragon Singer Series independently. The more I spoke to Annie Katz and others (including my buddy, writer/actor/director/funny guy Tim Chizmar), the more reluctant I became to give up creative control. I had a vision for these books, and I couldn’t bear the thought of being told, “We’ve decided to add/subtract/edit…” or whatever a marketing department might choose for MY books. (For the purpose of brevity, I will not include all the struggles I had to this end with the publishers of my first and second books. If you’re curious, just ask in the comments below. But… boy howdy….)

Of course, in making that crucial decision to self-publish, this also means that the entire process rests in the hands of the writer (unless one chooses to outsource the work, which is possible, but also expensive).

The only thing I didn’t do was create the illustration and design for the covers. (Thank you, artist-designer Allie Myers!) Everything else—fonts, font size, paper, margins, interior design—that’s all me. And believe me, it’s not a matter of “select all” on MSWord and typing in a few choices. There is a lot to very carefully complete. Plus don’t even get me started on how the format of an “ebook” differs from the format of a paperback. Good grief!

So, yeah, even though the fourth and final book in the Dragon Singer Series was completed months ago, it has taken me quite a number of weeks to find an illustrator and work on the interior design.

Finally, though, the first book is finished, and I am so, so proud of it! Allie’s cover is beautiful, and I am satisfied that my young (and older) readers will feel comfortable with my choices for the interior design—if they’re even paying attention. Maybe they’ll just immerse themselves in the story and keep turning those pretty white pages….

Fey Girl, Book One in the Dragon Singer Series, is set to be released at 12:01a.m. on Tuesday, October 17. Please celebrate with me on that day! If you get crazy (or extraordinarily kind) and decide to read the first book, just know that Allie and I are already working hard to get the second book ready for publication. This one should be easier than the first; I kinda know what I’m doing now. Kinda….

Back cover of Fey Girl

Constants

 

It’s been six weeks since I’ve posted. I’d like to use my typical “off with the fairies” excuse—and in some ways, I think I would be justified—but really, time and creative energy have been sorely depleted.

I know some of you loyal, compassionate readers, if you follow me on Facebook, have been waiting to hear the warm, fuzzy details of my romantic relationship with “that one guy” (or, if you’re Sean Piscioneri, the guy before that guy—sorry—inside joke). Alas, the guy who began as a friend and briefly became “boyfriend” has now agreed that “friend” is the more healthy status for us. We like each other. Always have since we met 27 years ago. We just don’t… see eye to eye on some things. It’s not important what they are.

Among the critical take-aways from that brief experiment, however, is the fact that my mental health can still easily be tipped off balance under certain circumstances. This surprised me. I mean, seriously, when you get to the age of 70, and you’ve spent decades working to shore up your strategies and defenses against panic attacks, you float along through life thinking you’re safe from them. Then out of the blue a trigger is pulled—however gently—and suddenly your heart is racing and that dark shadow is just there, over your right shoulder, looming. Takes your breath away. Like, literally.

So one of my accomplishments this summer was finally—FINALLY, damn it—getting an appointment with a therapist. It took a month, from initial phone request to finally seeing someone (and by “seeing,” I mean staring at a screen image via Zoom), and I had to push hard with follow-up phone calls. But hey, the energy expended was worth it. I like my therapist. More on that in future posts, I promise—not because I really want to talk about my childhood trauma—I don’t—but because I want to do whatever I can to encourage others to seek professional help in being the best version of yourself you can be today. And tomorrow.

 

Another satisfying accomplishment of the summer was writing 31 poems in the month of August and sending them out to strangers on postcards. This was not a zany idea of my own. Rather, it was part of the annual “Poetry Postcard Fest” sponsored by Cascadia Poetic Labs, the mission statement of which states: “Empowering people to practice poetry & deepen connections to place, self & the present moment.” (Gotta love the alliteration!) The cool thing about signing up for the PPF is that you also (potentially) receive 31 postcards. So far, I’ve gotten about 20 postcards, mostly handmade and decorated with creative artwork, in addition to the poetic offerings. It definitely put some pep in my step on my daily walk to fetch the mail.

I didn’t expect to write any particularly whiz bang poetry. Just as in the year I participated in NaNoWriMo, I signed up for the PPF simply to challenge myself, to impose the discipline of working on poems in addition to my other writing. (Once upon a time, I did call myself a poet, because I have had a few poems published. But that was years ago.)

Surprisingly, though, I was quite satisfied with several of the 31 poems I wrote, and so, for the first time in decades, I think I’ll send some out, just to see what happens. Stay tuned.

As you can imagine, I needed inspiration for those poems. I also needed time alone to process pre and post panic attack, so off to the woods I went, hiking every few days with Miss Maya Angelou Murphy, who continues to let her guard down with me. Nature is an inspiration in and of itself, so I was pleased to capture some photos reflecting my awe.

And, of course, I spent time with my emotional support pals, Sgt. Thomas Tibbs and Jenny the Cat. The Dog Who Hated Being Touched has now become The Dog Who Loves to Be Loved On—brushed, petted, scratched, massaged, whatever. Whenever the world becomes “too full of weeping,” as Yeats described it, I can sit down next to Thom, give him head rubbies and ear scratches, and tell him all about it for as long as it takes for my blood pressure to drop to normal again.

 

Don’t get me started on Jenny’s antics for comic relief. This cat… oh my dragons…. If I had let her, she would have stayed outside on the patio for the duration of Tropical Storm Hilary as it blew through our town with crazy wind and sideways rain. As it was, she stayed out, curled in a corner of the blanket on the patio swing, until I finally made her come in when debris began flying around the yard. And let me tell you, she let me know how unhappy she was about having to do so. She always lets me know exactly how she’s feeling about my unilateral decisions. That’s where dogs and cats are different; dogs say “Okay!” and cats say “Who said so?”

 

Speaking of cats… and dogs… and dragons: I also spent the summer—as promised—working with artist/illustrator Allie Myers on the cover of Fey Girl, the first book in my Dragon Singer series of middle grade fantasy novels. Allie is beyond amazing—I feel at times she is somehow “seeing” what is in my head—and she has just informed me (as in, this morning!) that the front illustration for the cover is complete. And, oh my dragons, it is exactly—no, it is better than what I had imagined in my head. I will be sharing that in a separate post, along with more information about the series. Since the back cover and spine are simple, the cover should be ready in another two weeks, which means the book could be released as early as late October, early November—just in time for Christmas. Again, stay tuned. I am so, so excited about these books, and I can’t wait for all four in the series to be out in the world.

If you’re still reading, thank you. Let me sign off here with one of the poems from this month’s Fest that I particularly liked, once I was satisfied with the final draft.

 

Constants

S. Kay Murphy

I wake up moody, musing

On the problems of yesterday.

In the still-dark, I take the dogs

Out to the yard, looking up,

As always, to find my constants.

There is Taurus, stretched across

The sky, the Seven Sisters,

Whispering secrets, and proud

Orion, on his back in August,

Perpetually sighting his arrow

Nonetheless, unconcerned

For the tilt of the Earth

Today, tomorrow, or yesterday.