Sometime back a small online literary journal rejected a
piece I'd written about rattlesnakes, or at least, my reflections following
three all-too-close encounters with the deadly reptiles. The editors, who pride
themselves on being "kind," sent the manuscript back to me "with
notes," which amounted to three sentences. The first sentence questioned
the veracity of the "memoir" piece. (I can actually understand this,
given how much prevaricating has been going on in the interest of producing
lively "true" stories. But my stubborn integrity won't allow me to
embellish, so I guess I'm never going to get that big book deal about my risqué
prison experiences.) The second sentence stated that the editor also passed on
the story "due to the use of adverbs." The third sentence was an
invitation to verify, revise and submit again.
Let's go back to that second sentence. Um... what?
So I guess this has been a thing for a while, but since I
spend more time reading novels than I do perusing online sites that teach how
to write them, I hadn't picked up on the current fad faux pas. Vilifying
adverbs has now replaced Never use the
passive voice which replaced Show,
don't tell. I don't know what the fad was before Show, don't tell because I wasn't born yet. I mean, that fad
predates my birth.
My friend and soon-to-be bestselling author, Michael Welker,
is half my age and has his finger on the pulse of all that is current in
today's publishing world, at least the independent, online aspect of it. Last
year I did a quick proofread of the book he's working on, and we talked
afterward about his generation's willingness to discard the awkward "his
or her" pronouns and simply use "their" even when the antecedent
is singular. "From what I read online, I think it's pretty much accepted
practice now," he said. Like a knife in my heart....
So when this rejection came, I emailed him, and we began a
conversation about those nasty adverbs, how they try to creep in [appear surreptitiously]
and ruin everything in an otherwise great piece of writing. Bastards. Michael
(because he considers thoughtfully—wait—delete "thoughtfully"—what I
say, then goes looking for best practices) sent me an email a few days ago with
a link to some chick's blog in which she completely and thoroughly nixes the
use of adverbs. (See what I did there... defiantly?)
Sigh.
Yes, I get that a "good writer" (and just what the
hell is that? Faulkner? Doctorow? Stephen King? Nicholas Sparks?) will be
better served by choosing a strong verb over a "weak" one + adverb:
Kay typed forcefully as she vented.
Kay pounded the keyboard as she vented.
And I also get that dialogue will often sound tighter, more
powerful, if the writer does not rely on adverbs to make her point:
"Please stop speaking in absolutes," Kay said
wearily.
"Please stop speaking in absolutes," Kay sighed.
But in our quest to delete all adverbs, we can end up
sounding amateurish. The English language only contains a finite number of
verbs, and sometimes it's impossible to find one that offers a viable
substitute:
"Take off your clothes, gorgeous," Jennifer
whispered seductively.
"Take off your clothes, gorgeous," Jennifer...
What? "Cooed"? What goes there? Extremists will tell me to simply
delete "seductively" and go with "whispered," insisting
that the verb is enough to carry her intention. Is it? What if Jennifer is a
heroin addict itching for her next fix and she is reciting the litany that has
earned her quick money so many times in the past? What if she's the
reincarnation of Nurse Ratched and she's being ironic as she preps another
inmate for a strip search?
My point is this: As William Zinsser said, "Write
tight." (And if you haven't yet read OnWriting Well, you haven't done a thorough study of your craft, in my humble
opinion.) I mean, you can use the "Find" option in MSWord (type the
letters "ly" in the Find box when prompted) to hunt down and kill
every adverb in your manuscript (well, at least those ending in
"ly"), but is doing so going to make your writing stronger? While it
is important to understand why adverbs should, like salt, be used sparingly (oh
snap! I did it again!), it is equally important to work toward a clear, concise
flow.
If you're a staunch anti-adverbist and would like to
challenge me, feel free to revise any of my sentences here in the comments
below. (Be kind, please, or I'll delete you.)
If you're wondering whether I did "verify and
revise"—well, of course I did. I rewrote the entire piece sans adverbs and
resubmitted with an assurance that everything I said was absolutely (ok, no, I
didn't really use "absolutely" in my cover email) true. Within days I
received another rejection. But it was kind.
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